Parasite director’s new film isn’t stranger than fiction — it re-creates it. In Mickey 17, Parasite director Bong Joon Ho explores a sci-fi, parallel universe, where we die to save humanity, and bow down to a failed leader. It’s accuracy to modern times shocked even him, he tells us.

The idea that everything happens for a reason is comforting, but not something that’s easy to hold onto. But for Somali-Australian actor Edyll Ismail, it’s a mantra she’s embraced the abundance of, seeking out opportunities as well as carving out a path for others alongside her.

In a climate where cancellation is paramount and protesters have become primary ticket purchasers, Festival of Dangerous Ideas director Danielle Harvey says ‘one of the hardest things to do is to be curious these days’.

Ivy League. Award-winning. Mid-20s literary sensation. R. F. Kuang has become synonymous with best-seller lists and a literary scandal. And it’s boring to her.

Everyone’s reason for choosing to freeze their eggs is different. Three women who have undertaken the process tell how they began, and share their hopes and fears.

Comedy legend Dan Aykroyd on his old mate John Belushi, political correctness – and his real-life fascination with the paranormal.

A koala named Florence, a glass of Adelaide’s finest - the Oscar-winner speaks to the film that convinced her to travel ‘so far away’ from home.

An in-depth profile with A24’s highest-grossing horror filmmakers Danny and Michael Philippou.

A year after the Sydney Opera House was a stage for anti-Semitic chants, the cast of Yentl hope to provide an ‘antidote’ to the division festering in the arts sector.

Within a week of its 2022 debut, Heartbreak High scored several achievements at home and overseas: as a rare reboot of a beloved classic that stood firmly on its own feet,  gained tens of millions of viewers, and snagged a top-10 placement on Netflix’s most watched shows in more than 45 countries.

The Reservoir Dogs and Pulp Fiction star is brutally honest when discussing the future of movies, mortgage payments and four decades playing cinema’s most memorable antagonists.